‘Hellraiser’ 2022 ending explained: A new cenobite is born

Get ready to solve bloody puzzles, because the new hellraiser The movie is now streaming on Hulu.

Directed by David Bruckner, with a script by Ben Collins and Luke Piotrowski, this 2022 hellraiser The film is intended as a reboot of Clive Barker’s classic 1987 supernatural horror film. It’s the 11th movie in the Hellraiser franchise, but luckily you don’t have to have seen the previous 10. hellraiser movies to understand the plot of the new movie. all crucial hellraiser The elements are present in the new one – there’s a race of demonic creatures called Cenobites, who are summoned through a puzzle box that opens a gateway to a hell-like dimension – but a few changes have been made. Don’t worry, everything has been approved by Barker, who was an executive producer on the film.

That said, even if you’ve seen the original, you may not be able to follow the plot of 2022. hellraiser. There’s a lot going on, from evil puzzle boxes to chattering demons to bloody human sacrifice.

If you had trouble following the story, don’t worry, Decider is here to help. Read on to learn about the hellraiser Summary of the plot of 2022 and the hellraiser End of 2022, explained.

Warning: Major hellraiser spoilers ahead. Hey!


The film opens with a young man named Joey, who is called into a very creepy room by a very creepy man named Ronald Voight (Goran Višnjić). Voight asks Joey to solve his puzzle box, a kind of intricate and ornate Rubik’s cube. Joey actually works it out, and is quickly stabbed by the hidden knife in the box. A portal to another dimension opens and Joey is bound in demonic chains. Voight looks up to the sky and declares, “I am a Leviathan Penitent. Grant me this audience. Grant me this blessing. OK so!

Meanwhile, elsewhere, Riley McKendry (played by Odessa A’zion) is a recovering addict who lives with her brother, Matt (Brandon Flynn), and her brother’s boyfriend, Colin (Adam Faison). Riley is dating a new guy named Trevor (Drew Starkey) and her brother doesn’t approve: she thinks Trevor is bad news, will get Riley in trouble and cause her to relapse. She is more or less right when Trevor recruits Riley for a job robbing an abandoned warehouse, where he believes valuable goods are stored in a shipment. The two make the robbery, but all they find is the mysterious puzzle box from the opening, albeit in a different form.

When Riley comes home, late and not sober, her brother reaches his limit and kicks her out. She finds herself taking pills on a playground in the middle of the night and pulls out the puzzle box. She manages to reveal the secret knife in the box and summons the High Priest, nicknamed Pinhead (Jamie Clayton), the leader of the extradimensional demonic beings known as the Cenobites. Pinhead (let’s just call her Pinhead for clarity) tells Riley that the sword was for her and tells her to come with them. “If it’s not you, bring us another one,” adds Pinhead. So this demon is not completely unreasonable!

At his apartment, Riley’s brother Matt wakes up from a bad dream about Pinhead and is forced to search for Riley. When he finds her, he takes the box from her and is stabbed by her knife. The puzzle box sucks the blood out of him and the cenobites snatch him away while Riley is unconscious. When he wakes up, his brother is missing.

As he searches for his brother, more people are stabbed by the box and brutally murdered by the Cenobites. Each kill counts towards a new “Setting” in the puzzle box, meaning that a human sacrifice brings the box one step closer to being solved. Finally, Riley is stabbed by the box and Pinhead tells her that the Cenobites can now claim it at any time. “If it’s not you, someone else,” says Pinhead. “To choose.” Pinhead adds that Riley only needs to feed two more sacrifices to the box to get her “gift from her”: her resurrected brother.

There are six final configuration gifts to choose from: Regret, aka life; Lore, also known as knowledge; Lauderant, also known as love; Liminal, also known as sensation; Lazarus, also known as resurrection; and Leviathan, also known as power.


Riley, Trevor, and Colin are being chased by Cenobites at Voight’s mansion. When one of the Cenobites, Chatterer, is stabbed by the box and subsequently sacrificed, Riley realizes that killing the Cenobites technically counts as a sacrifice for the next box setting. Riley comes up with a plan to intentionally let the Cenobites into the mansion to offer their final sacrifice to the box.

But wait, there is a twist! Turns out Riley’s terrible boyfriend, Trevor, was working for Voight the whole time. That traitor! Voight appears at the mansion with a metal contraption on his chest that lets the audience know that he is at the mercy of the box and the cenobites. He needs to feed the box to be freed and he hired Trevor to do his dirty work for him.

Voight remembers how he solved the puzzle box with sacrifices six years ago and chose “Liminal,” aka sensation. But it turned out that the Cenobite’s idea of ​​”sensation” was actually some bizarre body horror torture. Who could have guessed? Voight warns Riley that whatever the Cenobites have promised her, it won’t be what she wants. Voight stabs Colin, marking him as the next victim, and summons the Cenobites. Voight demands that Pinhead undo the “gift” from her. Pinhead says that the gift cannot be returned, but it can be exchanged. Pinhead gives Voight “Leviathan”, aka power.

Meanwhile, the Cenobites come to collect Colin, but Riley intervenes and asks them to take Trevor, the traitor. She stabs Trevor, freeing Colin from his cenobite prison. Pinhead shows Riley her gift for the final sacrifice, her resurrected brother, but she rejects the gift. She accepts that her brother is gone, knowing that the Cenobites’ reward will not be what they say. Pinhead tells Riley that this means that she has chosen “the regret setting”, aka life, and that she will always live a life of regret.

Riley and Colin make it out of the mansion alive. Riley isn’t sure if she made the right decision not to bring her brother back.


In the film’s final scene, Voight transforms into a cenobite in a graphic and harrowing sequence. The god of the cenobites lifts him up into the light, what look like wings behind him. This references a tradition mentioned earlier in the movie about how Cenobites were thought by some to be angels. They are not, and they are not demons; they’re just weird otherworldly beings with a fetish for ripping people’s skin off. And now, Voight is one of them. With a new cenobite villain in his place, setting up a possible sequel, the film ends. Maybe this means you can expect to see Voight in a 12th hellraiser movie.

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